I get lots of e-mail inquiries on my website as to why I consider my system, Guitar-eze, to be so much simpler than virtually all the other guitar methods out there. The reason is – Guitar-eze is based on the well-known but highly under-utilized, and under-appreciated, open-D tuning. That’s right – the guitar tuning that so many greats used and built upon, from Robert Johnson (open-E some of the time, but the exactly the same thing, a whole toner higher throughout), Keith Richards (Street Fighting Man, Jumpin’ Jack Flash unthinkable any other way), Joni Mitchell (with her jazzy, ringing open-string inflections), and so many more. Open-D can be much more than a one-off alternate tuning, as so often characterized, even from renowned instructors and players, in the method books and websites . Here’s a little clarification on just one amazing aspect of open pink guitar strap -D guitar tuning. One of the great advantages of open-D tuning is its “visual” aspect. For anyone with event a limited background musical theory, this can be a real eye-opener when learning guitar. Speaking from personal experience (as an aspiring guitarist with a moderate understanding of theory i.e. what chords and triads were), it became the point when the light bulb came on for me. In standard guitar tuning E A D G B E, the starting open chord is generally not usable (a permutation of an A11 or some such). The only way to build chords from that starting point is to utilize various finger-fret combinations, so as to create note groupings that sound the chords you want to play. Not only is the mastering of often tricky and unnatural finger positions a major stumbling block, especially for absolute beginners, the actual finger positions “mean” nothing.